Travel and Deal

Jaipur Rugs Foundation, Indian Institute of Craft and Design and INTACH Hooghly Chapter wins British Council’s Crafting Futures India/UK Collaboration Scheme 2022 to develop and strengthen the crafts sector in India

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British Council New Logo (1)

  • A global programme which aims for a sustainable future through co-development and co-delivery of projects to support the crafts sector

  • Participating Indian and the UK organisations to benefit from opportunities for cross-cultural exchange and shared learning

 

New Delhi: British Council, the United Kingdom’s international organisation for educational opportunities and cultural relations, today announced another set of grant winners for its coveted global programme – Crafting Futures: India-UK Collaboration Scheme 2022. Under the program, the grants are jointly awarded to a partnership of two organisations – an organisation in India and a compatible UK organisation. Jaipur Rugs Foundation & University of Arts London, IICD and West Dean College of Arts and Conservation, University of Liverpool & INTACH Hooghly Chapter have been shortlisted.    

 

Crafting Futures supports collaboration to strengthen the creative and crafts sector in India through exciting and innovative projects which addresses inclusion across a range of communities, explore solutions for global environmental challenges and generate new propositions for the relationship between craft and technology.

 

Jonathan Kennedy, Director Arts India, British Council, said: “India has a vital arts and craft industry, and this is globally recognised, however, our recent research with Fashion Revolution confirms the Covid-19 pandemic has been particularly tough and remains challenging for livelihoods of crafts organisations, women artists and artisans. I’m delighted British Council has been able to continue our commitment to strengthening the Indian crafts sector, for improving livelihoods, and developing contemporary craft skills and traditions with a series of new UK partnerships. The abundant innovation and vibrancy in the projects this year will support social, cultural, and economic change with the India and UK craft collaborations. During what continues to be a tough time for craft artists and artisans worldwide, we are delighted to be able to extend new creative and economic opportunities for women and other crafts entrepreneurs in India.”

The first round of Crafting Futures India-UK scheme saw innovative and exciting projects – from vocational training of Pinguli Puppetry Artisans in Maharashtra; business skills training and empowerment of women artisans through sustainable processes in crafts working at Swami Sivananda Memorial Institute (SSMI); reviving and revitalising the urban ‘living’ crafts and develop opportunities for valuable collaborations by urban craftspeople and practitioners in Kolkata, Goa and Bangalore presenting their crafts work at the Unbox Festival; improving the livelihoods of highly skilled craftswomen in Gujarat through new product designs and use of modern marketing methods for the Indian and European market; collaboration to develop an international artists’ residency with 72 Muslim Potter families of Gundiyali in Gujarat for crafts tourism; and a collaboration to revive and strengthen the local economy around wool in the Kutch region reaching out to 100 women weavers.

As part of second round of Crafting Futures: India-UK Collaboration Scheme, applications were invited for project proposals from India and the UK organisations, out of which 3 more projects have been chosen which will benefit from monetary and technical support to collaborate with craft communities in India to co-develop and co-deliver projects that support the crafts sector.

All three awardees aim to have a significant impact on the craft sector whilst uplifting the artisans across various cities. The collaboration between Jaipur Rugs Foundation and University of Arts London will help rural women to learn new skills in craft to earn dignified incomes and gain financial independence irrespective of their formal education. The programme will address the pertinent skill gaps present in Indian artisan communities and help them expand their economic opportunities through design and entrepreneurship.

The partnership between IICD and West Dean College of Arts and Conservation focuses on the Potters of Baswa district in Jaipur through exchange of knowledge between India and UK ceramic practices whilst focusing on design and technology.

Lastly, the partnership between University of Liverpool and INTACH Hooghly Chapter will work with women artisans across Hooghly who are involved in the informal craft sector. With Patch-WORK, West Bengal and an app-enabled e-commerce network, the partners aim to train the artisans with new business skills and create products for the global market.

About the British Council:

The British Council is the UK’s international organisation for cultural relations and educational opportunities. We work with over 100 countries in the fields of arts and culture, English language, education and civil society. Last year we reached over 80 million people directly and 791 million people overall, including online, broadcasts and publications. We make a positive contribution to the countries we work with – changing lives by creating opportunities, building connections and engendering trust. Founded in 1934 we are a UK charity governed by Royal Charter and a UK public body. We receive a 15 per cent core funding grant from the UK government. britishcouncil.org

 

For more information about the British Council contact:

 

Shonali Ganguli | Head Marketing and Communications East and Northeast India | British High Commission | shonali.ganguli@in.britishcouncil.org | +91 983 656 9944

Akash Batra | akash.batra@archetype.co  | 999 978 6118

 

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A Reservoir full of Dam(n) Pleasure

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H.A. Anil Kumar through his article calls for everyone’s attention to Manchanabele Dam and serene scenic beauty of its backwaters.

Manchanabele dam or reservoir or however you address it, is located just thirty kilometers away from Bengaluru. This distance-measure is to be done in terms of time and not distance, owing to an everlasting stampede called traffic, specific to this city. I am not describing the way you go there, but the pleasure of Manchanabele dam includes the ritual of going through a black hole called Bengaluru-traffic. Each case of congestion on the road, in the mind and mood clears up once you are there wherein the earth and sky get disconnected at the horizon line, as if viewed through a convex lens.

Perhaps for the same reason, this dam, which is now damned, is damn mindboggling. On Sundays when there is no traffic, all those enthusiast-aspirants eligible to visit Manchanabele are deep asleep at home and this reservoir stands alone, solitary, while being captured by the costliest lenses by those IT employees-turned-Sunday photographers, who know how to earn and spend, but do not know why they bought such a costly lens in the first place. A simple 3.1 megapixel mobile is sufficient to upload the dam’s picture on Facebook, you don’t need to buy a whole pig while a sausage packet would suffice (obviously I borrowed this phrase from somewhere where this phrase was burrowed; and by and large it is from a source similar to ‘Aunty Acid’).

Dead opposite to Nandi Hills, which is to the north of Bengaluru, Manchanabele dam is at a spot wherein one has to drive down after driving up for a while, as it happens with Ajanta caves – and as you drive away from it, all of it gets hidden at once! The ‘U’ shaped river dries out at the opening of ‘U’, further leading to a mini-mountain upon which is a military training center! The gap between the gap in U and the military-mountain is the actual picnic spot, which in fact is a dried part of the river.

On Sundays there are two kinds of people shooting at Manchanabele:  The military training guns practicing; and the IT-costly-lensed-cameras-comradely-sausages shooting with their cameras, for the sole purpose of updating their fb accounts. When the tide is low, when the opening is dry, local farmers catch fish from the left over water which is plenty, cook then and there and feed you at a cost, rather reasonable one. Their culinary and sales skills have evolved to such an extent that they can even sell tiny fishes to vegetarians saying that those fishes have been challenged-size wise because they are pure vegetarians!

The view from there, the opening of U is picturesque, to say the least. Facing towards the ‘dam’-at-a-distance, towards North (often the word is articulated into ‘dame’, based on who is watching whom in a given situation of various groups who have arrived for picnic), with a rock-solid-military support to the back, the still water surrounded by hills to 270 degrees around that could recall Pokhran lake of Nepal – i.e. only if your imagination is as deep as the still water.

“At least one person has died every month from past ten years sir, trying to swim in this dam, sir”, the farmers-playing-fishermen-&-cook would inform, intending to add masala and spice to the fried fish at hand. He would not recurrently realize the adverse effect his comments have on those eating, who had planned to jump into water, immediately after consuming the fish. A woman always comes from nowhere, on a small theppa (rowing circular boat made of bamboo, found even in places like Hampi) and interestingly, it seems, even those who would borrow it for a ride in the water would often vanish off into thin water (air!) and the theppa would come back on its own, after a while. Hence nobody would dare to borrow it; but I thought what an ingenious method to avoid people borrowing her only possible vehicle that could open up the various facets of the dam to the hungry sight!

Manchanabele dam has the regionally famous Shivagange Mountains, of Hoysala fame, in its background. Imagine this mountain to be like the numerical ‘7’-like mountain and its vertical side to be 200 feet tall. Somewhere half way through, a small bell is being fixed along the reverse-slope. Nothing else exists around it to give us evidence or back-support to imagine as to how someone could fix a bell at that point! Vishnuvardhana’s Queen Shanthala of Hoysala dynasty committed suicide from this spot so as to make the king come closer to the second queen. Manchanabele that can be seen from the top of Shivagange acts second to this mountain, as a tourist site.

Dam(n), why do people not visit Manchanabele dam reservoir, despite being so close, so surrounded by nature which doesn’t exist even in the imagination of Bangaloreans? Often one finds all that a beautiful lake view consists of — the magnificence of the huge walls of the dam and absence of the threat of the gates being suddenly opened, in order to wash away the people. The water is transparent since it is still, inviting but also threatening, a few degrees colder temperature. The free floating objects at the edge of the water reservoir tell the stories of the urban-specific pleasures that people just found and shared in the premise of Manchanabele dam – plastics of both public and private types! Even private vehicles like cars and bikes get parked in the midst of the dam water, the military mountain and the surrounding enclave. The scattered houses, while driving along the basement of the dam seem as contemporary as prehistoric caves. These friendly and poor farmers live in the most air conditioned surrounding, for which those in the city just nearby pay heftily.

I had earlier mentioned that this dam is made up of what is availed on either side of it –Shivaganga to the north and the age old Big Banyan tree. Resultant of the British botanists — the big banyan tree is only the second biggest in Asia or Indian continent and hence India! You can appreciate it better if it’s introduced in a more familiar way: it’s the tree from ‘Eh dosathi, hum agar chodenge’ song from ‘Sholay’ film. This is the best reference point to the tree since the film which ran for twenty five years made popular the three hundred and odd years old tree.

Manchanabele dam is a pleasure to visit, provided you link up visits to Shivaganga and Big Banyan tree. Once you are there, nobody knows what to do, since most visitors are from the city don’t know what to do amidst nature, unlike their familiarity with four walls – malls, shopping centers and the like. Not many go there, but it contains the wilderness that true nature possess, thrills that mortal beings undergo, settings that are ancient, views that are watercolor in shade and a time that can be frozen!

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Learning from Mumbai: Practicing Architecture in Urban India’- Book review

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Subhra Mazumdar reviews the book ‘Learning from Mumbai: Practicing Architecture in Urban India’ which not only explores Bombay’s true character by taking you back to the Gothic era but also accentuates Mumbai’s essence by adding contemporary magic to it.

The city of Bombay or Mumbai has held a fascination not only for fortune seekers and cine aspirants but also for students of architecture. They flock to the city charmed by its Gothic accents, its ability to house twenty million spirited inhabitants, thereby juxtaposing the historical and the contemporary into an urban milieu both innovative and daring. The current volume, Learning from Mumbai: Practicing Architecture in Urban India’, is the experience of its authors, who had first come in contact with the city as students at the JJ College of Architecture and have recently returned from Amsterdam with a view to compiling a quantitative data base on the city. The final outcome of their labor has yielded a series of essays by the city’s leading architectural practitioners, besides an over view of the historical face of the city. Different though, has been their experience of living and interacting with young Mumbaikars who form the bulk of the population of this ‘young’ city, where the average population is under the age of 30.

The initial part of the volume deals with Mumbai’s statement architecture held up for consideration within a contemporary context. The keynote article by Rohan Varma traces the city’s beginnings from a cluster of seven islands occupied by fishermen communities to its steady rise and prosperity into a mega city of today. The essay by Charles Correa, also included in this segment on Mumbai’s historicity deals with its arterial lifeline, namely its unique transport system, fed by trains and buses that carries its millions Another interesting take of this segment can be explored through the writings of Rahul Mehrotra who has examined the innovative use of spaces, taking into context the erstwhile mill complexes of the city. His interesting conclusion – by default, the private sector is determining the emergent form of Mumbai – shows a fundamental shift from the earlier scenario when the government of the time was the chief architect of its planning and delivery process. In this tendency to ‘clean it up’, the city is faced with an awful disjuncture according to these city framers. His suggestion of developing the city’s eastern front holds water, as it appears to be a crucial zone for transforming the city, rather than the cosmetic development of old mill lands.

And moving away from the grass roots of this planning of the city’s living spaces is the suggestion for its luxury segment which according to Steven Buenda (he heads a plan for developing a new business district in Wadala), still turns to foreign sources for its ultra luxury sky scrapers and airports. But the greatest learning experience for this Dutch architect has been to understand the need for communication and networking as clients here weigh a project’s worth with similar samples in other Indian cities as opposed to foreign cities. Thus it is the ‘organic city’ concept that he has found most useful and gladly shares his thoughts with his readers.

As for Mumbai’s iconic architectural name, Hafeez Contractor, who too has shared some of his thoughts about the city in this book, it is the finding that only 150sq km is the land given to human occupation in the city for the rest of it is swallowed up by mangrove forests, a national park and railways tracks is a startling fact finding snippet for most readers. That is why for him the city’s landmark distinction is not the predictable Taj or the Chhatrapati  Shivaji Terminus but “ the achievements of those people who built their lives from scratch.”. Naturally his priorities are not impressive landmarks but the basics of a toilet, running water and food for his Mumbaikar.

This in a way is a priority for other architects of the city too, such as Sushma Deodhar who has worked extensively in both the private and
government sectors. Her solution naturally is the exploitation of the current floor space index. But her master stroke is her placing a finger on the resilience of the city where a calamity is simply a shift from routine rather than a crippling shock wave. This concept finds favor in the next contribution by Adrienne Thadani who creates balcony gardens of organic vegetables and herbs to fight toxicity in the city’s vegetable supplies.

Besides such success and personal stories that the book contains, there is an academic element introduced through the writings of professors and veteran practitioners, such as Abhijit Mandrekar., P K Das, and Rajiv Mishra. Naturally their solutions lie not in the blueprint but in the classrooms, which as Prof Rajiv Mishra points out becomes the unique selling point of an institution. For Abhijit Mandrekar, it is the academic over emphasis that irks and for P K Das it is his emphasis for creating open spaces in the city that wins attention. Other portions of the book have touched upon stray attempts to beautify the city with street art, in the Wall Project or the charm of the city’s sea front.

Making the volume a must-have is this plethora of images that captures the city’s character from numerous angles rather than duplicate images of people emerging from overcrowded trains. The volume is lightweight literally, and academically interesting. Instead of putting in reams of labored writings on the technical aspects of architectural practice, it puts together snippets on the subject of Bombay, garnered from conversations with several personalities of the city. Its photographers, though have stepped out f the main arteries and captured those familiar faces of the city, looking out of a balcony in a derelict building, a sense of ownership and association writ large across the faces, or else the happy faces of its slum dwellers who can teach the world a thing or two about common living with a smile.

All this and more, makes the volume a ready reckon on the city for whosoever may be interested in knowing the real Bombay, a Bombay that has grown, and yet oriented itself to every age and necessity with charming ease.

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“Porcelain Capital” Jingdezhen

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72 miles from Colombo!

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Caparisoned elephants, heritage sites, symphony and cacophony of religious carnivals, tourist spots, get way destinations, long drives and museums beckon you if you are planning to travel to the great Kandy Kingdom in Colombo, Sri Lanka. Aditya Bee leads the reader through the wonders of Kandy, a land of myths and mirth.

The teardrop shaped emerald island of Sri Lanka is a beautiful destination with sunny beaches, surfing, diving and whale watching, national parks teeming with flora and fauna,  ancient cities and temples, tea estates and culture and cuisine that will leave you asking for more!

One of my favourite places to visit in Sri Lanka is the sacred city of Kandy, established in 1353, by King Wickrama Bahu III as Senkadalapura. It remained the capital of the Kingdom of Kandy till the British took over in 1856.

Kandy is the site of the world famous Sri Dalada Maligawa, more popularly known as The Temple of the Tooth. It was built over almost a century from 1687 to 1782, with successive Kandyan kings adding buildings to the royal palace and the temple itself.

The temple is where the annual eleven day long Esala Perahera is held.  A time when all of Kandy dissolves into a frenzy of colour, motion and music, caparisoned elephants, dancers and firecrackers mark this, the most famous of Sri Lankan festivals, each day the casket containing the Replica of the Buddha’s tooth relic is taken out in a procession. As the five Devales (seats of the deities that reside in Kandy) take turns to lead the procession, which finally culminates on the Poya (full moon day) with the water cutting ceremony on the Mahaweli Ganga river outside Kandy city.

Apart from the eleven days of cacophony and whirlwind of noise and colour that mark the Perahera, Kandy is surprisingly laid back and peaceful, gentle traffic circulates through the city and a meter gauge train line snakes it’s way west towards Colombo, north to Matale and all the way to the southern coast.

Kandy is home to over 125,000 and is Sri Lanka’s second largest city. Apart from a Buddhist pilgrimage centre, it is the capital of the Central Province and was declared a UNESCO world heritage city in 1986. The city is laid around the placid waters of the Kandy Lake created by royal order by King Wickrama Singhe in 1807. It teems with fattened and sluggish fish, secure in the knowledge that they cannot be fished. During a leisurely walk around the lake, on its banks you will get to meet ducks, egrets, cormorants and aquatic monitor lizards sun bathing languorously, a pair of rather weathered pelicans and even the odd jungle rooster!

The lake has many a story that belies its peaceful appearance, King Wickrama Singhe faced resistance in the creation of his project and impaled a hundred of those that disagreed with his plans on the lakebed. The small island in the middle of the lake is said to have housed the king’s harem, thereafter the British utilized it as a munitions store. Today visitors to lovely Kandy town with its colonial buildings, colourful markets and its picturesque lake need not fear impalement, though you may be gently goaded to view the Kandyan dance performances by itinerant touts who will sidle upto you!

The lake’s northwestern edge features a white wall that was added on by the British after they forced the Kandyan kingdom to secede in 1815. This established British rule in Ceylon and brought to an end the kingdom that defied Dutch and Portuguese invaders for over three centuries. The road to Colombo took another eleven years to build and the railway, and most of the colonial buildings that continue to stand strong today quickly followed. Amongst these, are the lovely Queen’s hotel and the now restored exquisitely Royal Bar and Hotel, my favourite place for a quite pint or two, or if you are upto it, some smooth Old Arrack. There’s a lot of accommodation available in all categories with the pricier resorts being located a distance from the hustle and bustle of the town centre on the banks of the Mahaweli Ganga river.

I highly recommend the simple digs of the Olde Empire Hotel which overlooks the lake and the entrance to the tooth temple. This small hotel built as a coffee traders offices in 1857 offers various types of rooms with colonial era furniture, hat stands, planter’s chairs and wooden floors and a balcony that offers you a pleasant view of flower sellers, the temple, the lake and the Queen’s that lies just across the road.

The temple of the tooth also has the stuffed remains of ‘Raja’ the temple’s most famous tusker who died in 1988. The temple was repeatedly bombed during the 25 year civil war, with the most severe attack in 1998 that killed scores of devotees and destroyed the facade and ingress of the main building. All this has since been restored and the royal palace and the queens bathhouse that till recently was a police station are accessible to visitors.

A must visit is the Botanical Gardens at Peradeniya, already well established by the Kandyan kings, it was further enhanced and commercial plants from all over Sri Lanka collected and grown in its conservatories and shady walkways. Nearby are also the University of Peradeniya and the Trandsort museum, a small collection of toad building equipment used by the British to cut through the jungle and Rovk to create a link between Kandy and Colombo which lay 72 miles southwest.

Another interesting excursion is to the Pinnewala Elephant Sanctuary on the road to Colombo and visits to the Garrison Cemetery and Tea Museum within Kandy city.

Kandy serves as a launch point southward for expeditions to the hill station and tea estates of Nuwara Eliya, Ella, Hatton, the sacred Adam’s peak, with the footprint of the Buddha. Or to Horton Plains and the World’s end with its sheer drop of over a 1000 ft. With it’s amazing views, if you are lucky to go up there on a clear day, otherwise all you will end up doing is looking into an impenetrable cloud! The city which is referred to by Sri lankans as  Mahanuwara (big city) or just Nuwara (city) and officially known as Kanda Uda Rata, remained a stronghold of Kandyan independence despite vigorous attacks by the Portuguese and Dutch forces during 15th to 17th centuries. It took the guile of the British and the frustration of the local populace against the excesses of King Wickramasinghe to bring to an end a four century long rule with secession to the British who unable to pronounce the complicated name of the city referred it to as Kandy, which has nothing to do with a boiled sugar confection!

Come and discover an appropriately sweet city and a special experience that awaits you in Kandy!

The city is an excellent stopover if you are heading north along the famous A9 to the former ‘Vanni’ that was controlled by the LTTE till the civil war ended in 2010. Going along the A9 for a couple of hours north gets you to the ancient monastery at Dambulla and further along, to the palace of Sigiriya placed as if by magic upon the plug of a long extinct and eroded volcano.

To get to Kandy from India, one can fly into Bandaranaike International Airport from Bangalore, Chennai, Madurai, Mumbai and New Delhi. Take a taxi directly from the airport or spend a day in Colombo and take the meter gauge train which provides scenic travel as you climb from sea level to an altitude of 500 mts. For those looking for a more innovative way to get there, a sea plane service from Colombo will deposit you gently, but with a lot of spray on the Mahaweli Ganga river, a couple of kilo meters out of Kandy.

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Work Rest and Play at Grange Hotels, St Paul’s

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For those travelling, away from the coastal resorts and staying in the city, there is anunbridled joy in the potential of seeing so many cultural landmarks; walking the length of the boulevards and rooting out the small boutique shops; where the hotel is the beginning, the middle and the end of a manageable adventure in our otherwise relatively ordered live. Living and working in London, I have an invitation to stay at the Grange’s flagship hotel in St Paul’s; The Grange Hotel, is taggedthe leading independent luxury hotel group, that have sixteen possibly seventeen hotels spread out across central London, in the Bloomberg, Fitzrovia, Holborn and White City area, among others.

The buzzwords apply, ‘style’ ‘luxury’ ‘quality’, ‘modern’ and ‘corporate’,as the linguistic skin for the Grange’s conference halls, restaurants, and leisure facilities,that are housed under one very stylish glass ceiling. Walking from St Paul’s, just before making the walk across the millennium bridge, with the impressive colossus of Saint Paul’s Cathedral on one side and the refashioned former power station that is Tate Modern rooted to the other, I arrive at the subdued glass fronted Grange Hotel. Besides being incredibly well located, almost at the centre of the city, where all modern amenities at within walking distance; the theatre, the arts, shopping and dining; the hotel impressively sits very close to the Thames; making for an impressive panoramic view. Coming off the thorough-fare and heading into the brightly lit lobby, can be likened to coming in from the cold. The disparate avenues that lead off the entrance are initially a little confusing as you look for the reception desk, walking in one direction then returning to another.  Though the warmth of feeling that welcomes as you walk the length of the lobby is initially very pleasing and the subsequent assistance at any of the desks is gratifying,unfortunately it takes a little cajoling to catch the attention of the attendee’s behind the desk, who appear to all be facing down, absorbed by their new technologies than those coming in and out of the hotel.

Main Entrance

Entirely glass fronted, the hotel building has an air of iconoclastic authority about it as it gleams in the nocturnal light. Inside the glass fronted facade easily overshadows the tidy arrangement of fora and furniture; as the modern tectonic skin of the outside and inside of this building, together with the heavy marble flooring proves slightly unnerving for its authoritarian edge, but obviously utterly in keeping with the need to appeal to the monopoly of their guests who are corporate. I have it efficiently instructed to me that from Monday to Thursday the hotel caters entirely to major business clients, and then Friday through to Sunday evening, the hotel altered its agency for those temporarily coming through London for pleasure.

Inside the atrium, just beyond the reception desk, the sprinkle of green leaved potted plants in the vastness of the lobby come as more of a distraction than as a pleasure, but might that be due to the uncompromising design of metal and glass. Less like an international airport and more akin to the ground floor of an investment bank, I may have been better suited arriving for a conference than dressed very casually and carrying an over-night bag.Yet such an innocuous observation explained a great deal about the engine rooms of this glittering pandora’s box.Impressive squared footed conference spaces that can on occasion double as wedding venues are in the impressive underbelly of the hotel building, where those invited business delegates of international corporations come to entertain ideas and programme strategy for their companies. Such a grand central space is mirrored by smaller more intimate boardrooms for smaller sized meetings; in which tables run the length of the carpeted room. The corporate client is clearly the lynch-pin of such a centrally located hotel, and obviously the majority of delegates are encourages to morph overnight guests, as they engage in the array of work and leisure amenities in equal measure.

Executive bedroom

My room, an executive double, is initially impressive for its view, cornered up against Saint Paul’s Cathedral, it is almost impossible not to be impressed by the vast splendor of this gargantuan building that appears to have been rooted to its river location in history since time immemorial. The large heavy windows that complete the comfortable sized room give a temporary audience a prime location from which to adore Wren’s landmark building. When not frozen by the view, the interior of the room feels a little cluttered, either too much furniture adorns the room, or the geography of  the space is such that much less is physically possible; minimal is actually no bad thing.  The adjoining bathroom is a little small, the central light above the mirror flickering like a car’s rear indicator; and the shower head reaches out as far as the plug-hole directly below, which has you almost pinned upto the wall of the bathroom, as the warm peppered water spray falls down and not out. The executive doublefor all its furnishings is comfortable. Rich curtain colours fall from the windows, the heavy doors to the cupboards and bathroom retain a polished natural pattern that delineatesthe internally separated spaces; bathroom from bedroom, bedroom from clothes cupboard.  Centrally the twin bed can be likened to an armchair; reliably comfortable though a little tired, and the accompanying egg chairs appear stylish if a little redundant. There is a reassuring atmosphere to the room as the evening progresses and the view becomes one’s own.

Novello Restaurant

Supper is a choice between three amble sized restaurants, the Novello which is located at the base of the vast open atrium on the first floor, where analternative choice of table d’hôte and à la carte menus are both available. Novello appears warmly welcoming for a wedding party that is collectively dinning in the open plan glass house, as the evening is reassuringly animated by guests absorbing the pleasures of the hotel’s cuisine. Situated in another corner of the first floor is the Globe restaurant, a limited space in which many more tables and chairs are made available than guests attending. On the evening I attend it is entirely empty and such circumstances affect one’s choice of dinning room. Glancing over the menu, it appears proficient, international and charming.

Benihana Entrance

The void of one restaurant leads one to want to follow the nuances  of noise in an adjoining restaurant, the Benihana, which is a leading Japanese franchise, attached to the hotel, in which a more freely moving customer appears to come in and out, makes for a reassuring final choice of place to eat. A volume of people is evenly seated around the metal plated tables in the warm dining area, as waiters feverishly running the length of the restaurant, perspiring for their effort. High-hatted chiefs roll into eating rooms as they park up to a given table with a culinary trolley of finely cut poultry, meat, vegetables and plastic bottles sauces. Small spied fires break out at interspersed tables, as guests give a gutsy cheer to the flames rising from their table, and upon deciding of what to eat, each of the chief’s begins a rousing dance of aluminum containers that crash against the metal plates and pepper the air with a sharp hint of aromatic spies. Likened to performative cuisine, for want of a better word, the hum of restaurateurs is cajoled, even aroused by the chief come entertainer, who rather than rooted to a kitchen somewhere at the back of the restaurant is ordered out to a table of hungry diners, who upon ordering can begin eating an array of warm and wonderfully decorated appetizers, that are cushioned by a choice selection of rich and aromatic red and white wines. Upon the recommendation of the waiter, clasping his little black book, I order a French bottle of Domaine du Seuil Merlot Cabernet Sauvignon, Premiéres Côtes du Bordeaux, 2006-7; that swiftly arrives and is promptly opened before me for tasting. It is quite perfect, rich, full-bodied, and rounds my palette like a spoon of honey running and flooring the length of my throat. As the liquid candy that accompanies our meal, my wife selected a series of well-balanced appetizers and two prawn and fish supper main courses. A small dish of seaweed salad, crunchy prawn tempura, a fresh ginger salad, and a twin main course of hibachi prawn and hibachi miso black cod in a rich syrupy sauce are all efficiently cut, cooked and promptly served to us. The dishes are sharp, well seasoned, rich and nourishing, flavors complementing each other perfectly, as I take small morsels of each of the plates onto my chopsticks. Turning the vegetables and fish over in my month, I return to the red wine at every occasion, in order I can attempt to furnish my palette with as many of the distinctive tastes as is possible; and it works, I feel an incredible sense of contentment at my being at this table of well worked dishes. A gripe if any is possibly the cumbersome sized white onion slices might have been better red, and the chocolate cake dessert lookedpositively dry and uninteresting, which delivered an abrupt full-stop to the culinary experience; but for such minor misdemeanors it was otherwise a handsome food experience.

An opportunity for a small aperitif on the roof terrace proves impossible for a private function, and as I arrive for a seek preview the event appears to be drawing to a premature end, and the bar-staff usher me back towards the glass lift, which proves a little disappointing for the first Friday of the month. I am politely informed of a clubin the basement of the hotel. Currently up on the seventh floor without my room key, I recline the opportunity to renegotiate the entire glass building for an hour or more of throbbing bustle in a tightly confided space. Having eaten and drunk to great aplomb I retire to my room on the sixth floor, and seek another opportunity to look over the architectural façade of Saint Paul’s cathedral before I retire for the evening. For all of the animated action that occurs during the course of the evening at my hotel, there is an impossible calm that appears to resonate out from the reassuring facade of Sir Christopher Wren’s building. I lose myself in its charming awe and then turn to find my side of the bed.

Woken to the reassuring sound of heavy bells chiming at every hour from Saint Paul’s, I quickly realize I am not at home under the ailing duvet but somewhere else entirely. Returning to sleep I am once again woken by the bells turning over on the hour every hour, closer to the morning and further away from the night before. It bothers me little as I feel a sense of mild gratitude for my grievance, if it be that; and on a fourth round of the bells tolling I rise and turn for the bathroom, for a shower, and I recall the splendid supper I had the evening previously. The intimacy of the bathroom is a little less awkward this morning as I become more familiar with the idiosyncrasies of the hotel room layout as everything even becomes more homely.

My breakfast is continental, and arriving out onto the first floor from the glass elevator, it appears that the majority of guests are all present and correct for breakfast. Instructed that the continental breakfast circumnavigated around chiefs making eggs to order, we are then promptly informed ‘continental is everything but eggs ’, so I venture for a plate of tired pastries, a little toast and orange juice. My wife disapproves of regular coffee and orders a soya latte, that when it eventually arrives is tepid to the touch and tastes very much like a regular coffee with coloured froth. As much as supper the previous evening was a marked success, continental breakfast failed to deliver any kind of appeal or nourishment. Those piling into the full English breakfast appeared to be having more success, as the regular dishes appeared somewhat more appetizing. Possibly the introduction of an egg might have arouses my taste buds a little more.

Ajala Spa Reception

Arriving a little late for my massage, my wife and I are welcomed at the reception desk by the spa therapists, with the offer of drinks and the polite instruction to fill in our health conditions on a questionnaire styled clip-board. Once complete we are taken into a subdued room with a modern bath and two tables at which we lay face down encouraged to apply a towel over our midriffs before we begin. My face protruded from the doughnut shaped facial guard, I attempt to relax with a sense of anticipation of what was to follow. Initially my arms and legs are prodded and pulled and then rhythmically turned over, as the massager’s hands appear to fall deeper and deeper into my skin. During the massage there are definitely moments where I feel a sense of unmitigated bliss that turns to want of sleep, unfortunately the whole experience proves more conductive for my wife, as any bliss for me is interrupted by a need to tense up for all of the knots in my lower legs and back, and the tickling sensation that wants to overwhelm me at every opportunity. That said it proves another wonderful experience and such opinions are more personal than a real reflection of the value of the experience.

Inside the room the music proved more irritating than engaging, and I spent a great deal of my time considering how the atmospheric anthems ofSigar Rós or the Boards of Canada might have transformed those clichédundulating sounds into something more contemporary and engaging for a cosmopolitan guest list. Peeling myself off the toweled table looking for my t-shirt and gown in the resplendent light, my wife described the full body massage, as the best she had had for a long time, which is endorsement enough for any practice or product. Another success, I take my apple juice and we are invited to sit in the lounge area with tea and cake.

I root out today’s copy of the Financial Times and then we consider a very quick step into and out of the sauna. Walking through the men’s changing room, across from the well-equipped gym, and into the pool area, the layout down here appears charming and of an atmosphere that encourages one to truly indulge in idle relaxation. The pool is warm to the touch and the sauna is heightened for my having had a deep skinned massage. The warmth of the enclosed room turns those knots in my lower calf muscles into congealed syrupy and I glee a mischievous smile. Our having to return to our room to pack can only be described as mildly annoying, because I am becoming more and more attached to the hotel and its efficient atmosphere. The view from my room is enduring, the amenities comfortable, the cuisine consisted of many positives; so turning the hotel literature over a final time, I consider that in spite of the hotel’s heavy slant on their corporate clients, as a day tripper I convince myself that I wish for more of the same.

Rajesh Punj

 

Posted in Travel & Deal On Wheels

Alternate Museum Experience

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India does not boast of world famous museums. Only handfuls are known to people in general. In the capital city Delhi itself ,most people are aware of the National Museum, National Gallery of Modern Art, Rail Museum to name a few. However, there are various museums small and big providing an alternative museum experience. Listed here are six unique museums based in New Delhi which are different from its conventional counterpart. These museums may not boast of huge collections or large visitor followings, but the experience they provide is worthwhile and enriching.


Doll’s Museum

Located in the heart of Delhi on Bahadur Shah Zafar Marg, Shankar International Doll’s Museum was established by cartoonist K. Shankar Pillai. The museum has one of its kind collection of dolls from U. K., U.S.A., Australia, New Zealand and many other countries from Asia, Middle East and Africa. The museum was set up in 1965 in the building of Children’s Book Trust.
The inspiration for collecting the dolls came to Shankar Pillai when he received a Hungarian doll. He subsequently collected dolls wherever he went and soon he gathered around 500 dolls which later on became part of the Doll’s Museum. Today, it has a collection of nearly 6,500 dolls from around the world. For children, visiting this museum will prove to be a delightful experience.
The Museum is open from 10 a.m. to 6.00 p.m. every day, except on Monday and on national & festive holidays.

The Sulabh International Museum of toilets
A unique museum on Palam Dabri road in Delhi, The Sulabh International Museum of toilets figures in the quirkiest museums in the world. The ‘Toilet Museum’ as it is popularly known, was established in 1992 by the non-profit organization, Sulabh International Social Service with the aim of spreading the awareness on sanitation in India. The museum showcases toilets used in different places and countries. It explains some of the most interesting facts about the toilet history, tracing its origin to more than 4,000 years back and has on display exhibits as old as 1145 A.D. The museum guide enthusiastically shows around the museum with some interesting stories thrown at the right break. From the simple and practical to the ornate and innovative, the range of toilets, bidets, chamber pots and more tells a story of evolution. However, the focus of the museum remains to spread the message of sanitation management that have plagued the world and continue to challenge India and the Indian culture.
The museum is open from Monday to Sunday except on National holidays from 10.30 am to 5 pm.

Kiran Nadar Museum of Art
kiran nadarKiran Nadar Museum of Art is an important milestone in the history of contemporary art museums in India. It is the first private museum of Art in the country. Established in 2010 by the eminent art collector Kiran Nadar, the museum exhibits artworks of not just Indian modern and contemporary artists, but also artworks from Pakistan and other countries. While visiting the museum, one can not miss the giant steel installation ‘Line of control’ by artist Subodh Gupta. Apart from the exhibiting master artworks, the museum also brings out publications and conducts various educational programmes on Indian Art on regular basis. The museum focuses on bridging the gap between Indian Art and the general public.
The museum is open from Tuesday to Sunday from 10.30 am to 6.30 pm.

Tribal Museum
Untitled-1Very few people in Delhi know of the Tribal Museum located in the heart of Delhi. The museum was established by Bharatiya Adimjati Sevak Sangh, a national level voluntary organization. The museum has in its collection a wide variety of tribal artifacts and items of their daily life and customs. The exhibits include musical instruments, weapons, medicinal plants, agricultural implements, hunting implements, ornaments, handicrafts and dioramas. It also has a small library having bokks and publications Indian tribes and tribal art.
The Museum is open from 11.00 am to 02.30 pm.Located at Thakkar Baba Smark Sadam,Dr. Ambedkar Road,Jhandewlan

Tibet House
Close to India Habitat Centre on Lodhi Road, the quaint museum at Tibet House is a door to the Tibetan culture having in collection some of the old and rare artworks of Tibetan and Buddhist Art.  The prime collections of the museum includes rare Thangka paintings, figurines, jewellery, costumes, weapons and ritual objects in copper, bronze, sandalwood and stone. The museum plays an important role by providing an important connect to Tibetan refugees in India. Most of the artworks in the collection came from Tibetan refugees. The museum thus emphasizes on the lifestyle and social set up of Tibetan community. The museum also has a library and resource centre with a wide range of rare books and manuscripts on Buddhism and Tibetan culture.
The museum is open Monday to Friday from 9.30 am to 5.30 pm

National Philatelic Museum
Those having the like for collecting stamps and postage tickets would be delighted to visit the National Philatelic Museum housed in the Dak Bhawan in central Delhi. This unique museum was established by Indian Government Postal Services to showcase the rich postal heritage of India and also to generate interest in philately among the general public. It traces the history of stamps started first by Sindh Dak in 1854 and some rare stamps issued by the princely states of pre-independent India. The museum also showcases the stamps from other countries. One can buy the special edition Indian stamps from the museum outlet. The museum is open for the public from Monday to Friday from 10.00 am to 5.00 pm. It also conducts special guided tours on Saturday for school groups.

Sangeeta Kumari

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Markets-Facebook Of Old Times

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Strolling in a market place with or without the intention to shop is an enriching experience. With the arrival of mall culture, the neighbourhood markets and shops are becoming a thing of past. Markets are memory zones, observers Sushma Sabnis taking her experience of visiting markets in India and abroad as a point of departure.

There is the damp sweet smell of a flower market that hits you as soon as you get into the overcrowded, jam packed bustling marketplace in Borivili West, Mumbai. This place probably has been here since eons, as far as public knowledge goes. When one has walked into these complex network of fruits vegetables flowers and all kinds of ware sellers, interspersed with the odd Mangalore store run by a man from Hyderabad who sells, sambar shallots, Kerala acchapam and Tamilian Karuvepalli thokku, along with any and every type of ghatia, sev , bhakarwadi and muruku. This market place resides as much in one’s being as it does in reality.



A smell or an odour brings to mind a plethora of memories which never leave even when  the mind is stressed about the work to be done for tomorrow and day after, somehow suddenly the mind wanders into an old pooja samaan gully, where the heady perfumes, incense sticks, smell of kumkum, haldi and camphor intermingle and all things auspicious including little black stuffed dolls, look at you with some kind of plea, ‘please buy us, we are tired of hanging on this string, we’d rather burn and colour a human forehead or hang off the main door of a hut than sit here and take in any more smells of rotting fruits and flowers.’ A peculiar cry reminds me of the tender coconut vendors who sit in the hot sun with skin glistening with sweat beads like diamonds on Hirst’s skull. They defy the sun by reflecting their attitude of industriousness. There is the exquisitely wrinkled, nine yards clad woman from Vasai who sells pockets of ginger, chillies and garlic, her wrinkles are the  advertising industry’s best kept secret, because everyone runs to help the poor old woman with wrinkles who sells the same products a bit higher priced than the wholesale market two feet away. But she in her ‘sales get-up’ emerges a winner every day.

A market place is in a child’s imagination a beautiful possibility to possess things.   One would remember going to the market with their parents and then alone or with friends as a teenagers. One would want everything on display. The colours, the smells, the tastes, the cute shopkeeper who stares, last time even with a smile, was he just being coquettish or is that his way of getting customers to buy something from the shop? Earrings trinkets and bangles, were the hottest selling commodity in those days.  Then during the working- earning days, it was cosmetics and trinkets, earrings, clothes and bangles.

For today’s generation, it is mostly mobile phone recharges, blasphemous apparels (one cannot qualify them as clothes) and friendship bands. One could see a market place as a place to covet things. If one approached malls with the same kind of perspective, one can get saturated up to one’s twelfth auric layer with the maul-ness of malls! Fake, mostly momentary pleasures can be very misguiding.

If one has had the opportunity to go through many market places in the world, one would notice that a country’s truth surfaces in a market place.

The noises, the voices, the buying culture, the produce of the land, the openness of the country / people to accept trade, hence accepting other non-indigenous products, the selling culture, the way people make a sale, the way they speak to the customer even if they are merely selling 10 peanuts, all this contributes to culture. Then sometimes the quality of a product has no bearing when the sale is being made.

Coming back to market places that flourish, in Thailand, the markets are one of the places  one looks forward to visiting. From fruits, to vegetables to fish,  meats to sweetmeats, from clothes to lingerie, from ornaments to traditional Thai clothes, to fake Prada (Prado) purses, to rambutan and durians sold by the kilo. The beauty of the market place in a country where one doesn’t know the local language, the point of engagement with the seller is highly interesting. In China and in Hong Kong communication between locals and tourists happens with the use of a calculator. Numbers are apparently an ice breaker of language and words and also precise and to the point. In Hong Kong the local markets have people who speak broken English and one could accosted by the incessant ,‘You, you liiikkee?’ question. Sometimes however, signs and hand gestures can be very misleading.

In a village market on a 10 deg C Friday afternoon, in Nairobi, the Swahili speaking masai -mara folks wearing Nike shoes often come across as intimidating, they have disarming smiles and the red of their robes is enough warning of their hunter instincts. But they sell beautiful beaded

ornaments, wooden sculptures and figurines of animals and birds, true to the natural surroundings they come from. But they are very difficult business people. Nature has taught them never to bargain.

The evolution of today’s human kind can be seen in the way the market place has gone from a physical entity of a shop with wares which all the five senses can interact and experience, to a screen presence on a laptop with a shopping cart and a favourites’ list. Online shopping / marketing has revolutionized the whole concept of buying itself.  When it did start, it faced a few glitches, but later security of websites, etc have made online shopping an experience far too simple and less time consuming.

But with the advent of online markets, does the traditional market die out slowly like everything else? There is a purpose of a traditional brick and mortar, odour ridden, colourful market place, the purpose of such a place is to bring humanity together. A market place is the only place where a vegetarian and a non vegetarian can shop side by side without offending each other’s principles, urging human interactions of all strata and status levels at a simple transactional platform..

The online market place is an isolated experience. One sees a product and buys it at discounted prices but what actually gets discounted is human interaction. This in the long run may harm the society as a whole. If people do not interact with each other, the building block of communities will vanish. People may get more depressed with this kind of self imposed isolation. A healthy balance may be able to keep the whole system form toppling over.

Sushma Sabnis

Posted in Connecting To The World, Travel & Deal On Wheels

Oktoberfest :World’s Biggest Beer Festival

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When it’s the Wies’n – local speak for Oktoberfest – in Munich, the Bavarian capital, around seven million people make the pilgrimage to Theresienwiese. This is the world’s biggest beer festival, so the catering is on a massive scale: millions of roast chickens are eaten and a veritable herd of spit-roast oxen is washed down by several million towering mugs of beer. Dating back over 200 years, the Oktoberfest is a hallowed tradition that, despite its size, still spells out what it means to be Bavarian.

It has millions of international fans and has spawned many imitations around the world – but there can only ever be one original Oktoberfest. Ever since Crown Prince Ludwig of Bavaria married Princess Therese in 1810 and a grand horse race was held in a field on the edge of the city, the site has been known as Theresienwiese – and the Oktoberfest as the Wies’n. Traditionally the festivities begin on the dot of noon on the first Saturday after 15 September, when the mayor of Munich taps the first keg and yells “O’zapft is!” Once the Oktoberfest is officially open, a twelve-gun salute signals to the bar staff to get the beer flowing and then there’s no holding back. The 10,000 seats in the beer tents start to fill up, the fairground rides whirl, the band strikes up and it’s party time. Be sure to book your hotel room well in advance because, like the seats in the beer tents, they’re few and far between at Wiesn time.This year too the festival would be a grand event with official opening by the mayor of Munich On Saturday 21 September 2013 followed by  a Procession of brewers and their families to the Oktoberfest .On Tuesday 24 September children and parents could enjoy a family day outing with everything offered at reduced prices Saturday 28 September would celebrate the fun Italian weekend when it is Flirt-time at the Oktoberfest
Sunday 29 September would observe the Half time of the Oktoberfest by having a
Concert by Wiesn bands on the Bavaria statue steps
followed by Prosecco- Wiesn in the Fischer-Vroni tent on Monday 30 September.
Sunday 6 October 12 noon would be marked by Traditional gun salute on the Bavaria statue steps

©GNTB.

Posted in Connecting To The World, Travel & Deal On Wheels