Travel and Deal

Photoessay-I Live On My Own By The Waters

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When reality begins to evade us, as if behind a veil; as an artist my eye catches those subtle apparently fleeting moments. Each picture appears to present a reality augmented by imagination, but as the Black Babul eternally stands by the waters, the inverted image is for real.

I live on my own by the waters…..

I look at the water and in it I see me, day and night  dancing, swaying, twisting , turning , shimmering , at the beck and call of  each breath of the depths, as they breathe high and low or settle into just a shiver. I live on my own by the waters. No one need protect me. My thorns might prick, but I live and let live. The Arabica gum oozes out of me with a fragrance so sweet. Many a medicines are made .The blue Kingfisher and its friends flap their wings and nestle into me. The winds caress my leafless branches as I bow down and serve. I am the Black Babul.

Kavita Jaiswal

The Keoladeo National Park formerly known as the Bharatpur Bird Sanctuary ,Rajasthan

June 19th 2013

Posted in The Traveller

More Than Just The Taj

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My father has yet again discovered a hobby fast turning into an obsession– downloading BBC documentaries, and burning them in DVDs – titles and dates of burning et all. Just the other day, bored in the lull-humid Assam heat, I flipped through his “collection” to come across a film titled “The Mystery of the Taj Mahal”.

As I sat through the somewhat-dull monologue, I began to wonder “What is it about the Taj anyway?” No doubt, it is an architectural-marvel, and a most-refined specimen of Mughal taste and elegance. One may call it the cultural-symbol of our country, and a visit to India is incomplete if one does not have a “visit to the Taj Mahal” in one’s itinerary.

However, hidden in the many nooks and crannies of the country, overshadowed by the popularity of such “rich” monuments, lies a vast plethora of myriad lesser known buildings and architectural accomplishments. Unnoticed and ignored, they wait and wait, for some heritage-crazy backpacker to bump into them and unravel the mysterious beauty they hide.

The mausoleum of Itimad-ud-Daulah, located in the busy town of Agra is one such example. What was once the rich capital city of the Mughals, and the nerve-centre to usher in the “Golden Age” of Muslim Rule in India, Agra has now diminished to a crowded, chaotic trade town.

Yet, the buildings from that glorious era remain – telling stories about days gone by.

The tomb of Itimad-ud-Daulah, built in the years from 1622 – 1628 CE, tells a similar story of honour, success, and fate. The story also involves some of the most influential people of Mughal history – people who made and marred destinies and dynasties.

Mir Ghiyas Beg (later honoured with the title of Itimad-ud-Daulah), father of Noor Jehan, and Wazir to the Emperor of Hindustan, lies in eternal sleep in this mausoleum, along with his wife, Azmat Begum.

The rags-to-riches story of Ghiyas Beg began in Persia where he was a wretched merchant, to end in Agra where he rose to unprecedented success finally becoming the Wazir of the Emperor. All this happened because Jehangir, the then ruler of India, fell in love with his widowed daughter, who was later to become known as the most gifted and beautiful woman of her times, Noor Jahan.

Noor Jahan’s life itself calls for another interesting study. But the focus here is on the tomb she commissioned on the death of her parents.

On one of my umpteenth visits to Agra, I chanced upon this monument.

As I entered the main complex, it took me no time to recognise the Indo-Islamic style of architecture employed in the construction of this building. A practice initiated by Akbar, this style combined both Islamic and Indian architectural elements in constructions. While the octagonal towers, arched entrances and ornamentation all pointed to Persian borrowings, the canopies, the terrace topped with a barahdari roof (a kiosk-shape structure on a flat roof), and kalasha-finials that crowned the roof and the canopies were definitely of Indian origin.

The first of its kind in India, built completely out of marble (yes, the Taj Mahal isn’t the only one), the structure overlooks the river Yamuna and is flanked by an imposing gateway and two pleasure pavilions by the riverside. I walked towards the central building (constructed on the usual char-bagh order) and wondered “How could I have missed this one?” The chaos of the traffic and crowd of the present world vanished, as I entered the complex and stared at the building from a corner. With hardly five more visitors, excluding the number of parrots and squirrels that jumped around my feet, this tranquil and calm spot was just the perfect place to be.

I was mesmerised especially by the precise and faultless ornamentation of the buildings. The decorative aspect seemed to have superseded the structure of the tomb. Detailed to its core, the technique of pietra dura inlay was employed (a generation prior to the Taj Mahal), and raw materials such as porphyry was imported from distant lands on special requests by Noor Jahan. The entire exterior bears lavish ornamentation of mosaics and inlay. Massive octagonal towers attached to each side of the central building end in circular canopies with kalasha (pot) and padma-kosha (inverted lotus) finials. The entire façade is topped with a chajja (parapet) and a jailed balustrade. Exquisite mastery of craftsmanship is again witnessed in the jalis that cover the arches on the façade – composed of sinuous creepers and foliage motifs.

The central building houses two cenotaphs built completely out of yellow porphyry stone, the floor being inlayed with natural stones in varying designs. The vaulted ceilings were also decorated with floral and arabesque motifs – almost as a rule the stalactites in the vaults were inlayed in deep blue, crimson and gold colours. Persian influence is again noticed in the motifs of wine vases, cups and guldastas being used in the wall decorations. Very interestingly, animals, birds and human figures were profusely displayed too – a significant characteristic of the age of Jehangir, marking an evolution of the artistic canon. Chinese clouds abounded as space-fillers in alcoves, and as continuous border bands in ceilings. A very interesting feature was the cartouches in the ceilings of the side halls and the riverside pavilions copied from Persian embroidery designs, including the edge-threads making them as realistic as possible.

It is said that one is pulled back to the Taj three more times after their first visit. I can safely count five visits on my list. And yet, nothing pulls me to that building as much as the tomb of Itimad-ud-Daulah did. When one tracks back the history of Mughal architectural evolution, one realises how the Taj Mahal was the end result of generations of experimentations and discoveries. From the earliest Mughal graves of Babur (Lahore), passing through the one of Humayun (Delhi) and Akbar (Sikandera), to this one of Itimad-ud-Daulah, the architects of the Taj Mahal borrowed the best from all and combined them in a masterful manner to create, what is established as, the grandest Mughal accomplishment in architecture till date.

However, this quite, little mausoleum imagined and commissioned by Noor Jahan had a special charm for me. Perhaps not as massive as the Taj, perhaps not as popular, yet it attracted me for reasons unknown.

As I sat there for hours, silently looking at the tomb, I rose up and left somewhere. Somewhere far away from the honking cars, from the overcrowded footpaths, from the madness that is the 21st century, this was my little venture into time-travel.

 

Shubhasree Purkayastha

Posted in Destination of The Month

Falling in love with Rajasthan all over again

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Rajasthan is like a permanent fixation for me. Whenever I go there, there is a sense of déjà vu and I love to travel into the interiors with as much anticipation and delight as to the main tourist destinations. For one, the average Rajasthan even on the street understands that the tourist is one of its major economic mainstay and consequently treat them with respect. By now they have seen enough tourists from all over the world and are not over awed by anyone.

I usually give resorts a miss when vacationing, I find the experience too synthetic, but for once, I gave in to family pressure to holiday at the Mana Resorts in Ranakpur. And I am so glad I did, for it was one of the nicest and comfortable holiday experiences I have had in a long time. Ranakpur is off the regular tourist map so one doesn’t encounter the usual touristy crowds that populate the ever beguiling Rajasthan. Quietly nestled within the folds of the Aravallis, the resort is set within nearly four acres of lush green land. The stunningly unique architecture enhances the tranquility of the place. The design is totally contemporary and in refreshing contrast to anything else one has encountered in Rajasthan. The extensive use of glass gives a very open feeling. The design is ultra modern and is still in harmony with its surroundings made from local stone, steel and glass. Everything is as Rajasthani as it gets but has a contemporary twist.

As all of us adults decided to rest a while but my children, who are bundles of energy, refused to rest for they discovered the existence of a peacocks and ducks and other birds within the resort premise. After few hours of getting our act together, off we went for an early dinner. The sheer variety of the Rajasthani cuisine was mindboggling. Our thaali consisted of ker sangri, mangodi alu ki shabzi, missi roti, besan gatteki sabzi, raabdi and the most famous daal baati with churma. The waiters carried out their services in the most royal form possible. The sweet dishes followed in quick succession, some bore names like feeni and palang tod that had us adults in splits as we hoped the children didn’t get the jokes!

The next day it was our turn to explore the neighborhood. Situated at a distance of 21 km, is the Muchhala Mahavirji Teerth Dharamsthala which is considered to be a very ancient tirth among the Jains. A delightful temple surrounded by hills, many miraculous events are said to happen here. The temple has a significant architectural embellishment called bawdi which are like stepwells or ponds in which the water can be reached by descending a series of steps. Earthen diyas lit on all the diagonal flights of steps – a sight so spectacular that it is indelible.

The following day, what kept our energy reservoirs flowing was our visit to the Jain Temple dedicated to Adinath who was the first Jain spiritual leader. The temple has four entrances, each facing a cardinal direction. It has 29 halls and 1,444 pillars which are intricately carved to represent Jain fables and symbols and it is said that no two pillars are alike. Light colour marble has been used for the construction of this grand temple. The temple also comprises of beautifully adorned ceilings with painted walls and plush interiors. As the dusk approaches, temples in the city close down due to power shortage and so we were back to the resort in the evening.

A mere 22 kilometres from the city of Udaipur on National Highway No. 8, is the Shiva temple located in the town of Eklingji or Kailashpurji. It is widely believed that Eklingji is the ruling deity of princely state of Mewar and the ruling Maharana is his representative. En route Ranakpur to Kumbhalgarh, approximately 14 kilometres from Sadri Village, is the Parshuram Mahadev Temple. This Shiva temple sits in a cave 3995 feet above sea-level and it is said that Parshuram, the lord’s sixth manifestation, made the cave himself with his axe to worship Shiva in the serene foothills of the Aravalis. The cave has naturally formed figures of Lord Ganesh and Lord Shiva and also has nine kunds or ponds which never go dry. It is estimated at approximately nine lakh pilgrims visit this temple annually.

Next day, we were off to Kumbhalgarh. The fort marks the birth place of Mewar’s legendary king, Maharana Pratap. The remnants of this fort and array of temples are a feast to the eyes. Kumbhalgarh, also known as Kumbhalmer, is a 15th century grand fortress built by Rana Kumbha. It is also the birthplace of Maharana Pratap, a great king and warrior of Mewar. Kumbhalgarh is only 18 kilometres eastwards from Ranakpur and is beautiful.

Close by is Achalgarh, commissioned by famed Rana Kumbha, the fort was built in the 15th century.  It is situated atop a mountain peak it has many vantage points that provide panoramic views all year round. The fort has a steep winding path that leads up to it and encloses many historic Jain temples within its embattled walls. Chittorgarh, the most important Mewari fort, is a mere 60 kilometres to the south east of Ranakpur. The fort is surrounded by a circular wall with seven large gates that need to be crossed before entering the main area. The fort and the city of Chittorgarh hold an annual festival called the Jauhar Mela to commemorate the valour of their ancestors. The fort also has an ancient but beautiful temple of Goddess Kali called the Kalika Mata Temple.

Returning to the resort after playing tourists to the hilt was refreshing and we promised to be back to the beguiling and bewitching Thar desert – for it is believed that if ones feet have touched the soil of any place, one has to go back there at least once again.

HOW TO REACH

By Road

The town is well connected with New Delhi and important towns of Rajasthan. The nearest airport is in Udaipur and Udaipur Railway station also serves as a means of tourist transport. The town is well connected to all other towns and cities in the state of Rajasthan, mainly due to its presence near a major national highway. It is about two hours from Udaipur, which is connected both by train and flights. Buses and taxis are easily available from here.

Ranakpur Weather

Ranakpur weather is tropical. The summers are quite hot with the average temperature falling in the range of 42.0° C (max) to 22.0° C (min). The climatic conditions of Ranakpur, Rajasthan in winters are only a little bit colder. The average temperature is somewhere between 20.0° C (max) to 10.6° C (min). The monsoon season does not receive much rainfall. Ranakpur experiences annual total rainfall of around 55 cm only.

Neena Gulati

Posted in Destination of The Month

Work Rest and Play at Grange Hotels, St Paul’s

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For those travelling, away from the coastal resorts and staying in the city, there is anunbridled joy in the potential of seeing so many cultural landmarks; walking the length of the boulevards and rooting out the small boutique shops; where the hotel is the beginning, the middle and the end of a manageable adventure in our otherwise relatively ordered live. Living and working in London, I have an invitation to stay at the Grange’s flagship hotel in St Paul’s; The Grange Hotel, is taggedthe leading independent luxury hotel group, that have sixteen possibly seventeen hotels spread out across central London, in the Bloomberg, Fitzrovia, Holborn and White City area, among others.

The buzzwords apply, ‘style’ ‘luxury’ ‘quality’, ‘modern’ and ‘corporate’,as the linguistic skin for the Grange’s conference halls, restaurants, and leisure facilities,that are housed under one very stylish glass ceiling. Walking from St Paul’s, just before making the walk across the millennium bridge, with the impressive colossus of Saint Paul’s Cathedral on one side and the refashioned former power station that is Tate Modern rooted to the other, I arrive at the subdued glass fronted Grange Hotel. Besides being incredibly well located, almost at the centre of the city, where all modern amenities at within walking distance; the theatre, the arts, shopping and dining; the hotel impressively sits very close to the Thames; making for an impressive panoramic view. Coming off the thorough-fare and heading into the brightly lit lobby, can be likened to coming in from the cold. The disparate avenues that lead off the entrance are initially a little confusing as you look for the reception desk, walking in one direction then returning to another.  Though the warmth of feeling that welcomes as you walk the length of the lobby is initially very pleasing and the subsequent assistance at any of the desks is gratifying,unfortunately it takes a little cajoling to catch the attention of the attendee’s behind the desk, who appear to all be facing down, absorbed by their new technologies than those coming in and out of the hotel.

Main Entrance

Entirely glass fronted, the hotel building has an air of iconoclastic authority about it as it gleams in the nocturnal light. Inside the glass fronted facade easily overshadows the tidy arrangement of fora and furniture; as the modern tectonic skin of the outside and inside of this building, together with the heavy marble flooring proves slightly unnerving for its authoritarian edge, but obviously utterly in keeping with the need to appeal to the monopoly of their guests who are corporate. I have it efficiently instructed to me that from Monday to Thursday the hotel caters entirely to major business clients, and then Friday through to Sunday evening, the hotel altered its agency for those temporarily coming through London for pleasure.

Inside the atrium, just beyond the reception desk, the sprinkle of green leaved potted plants in the vastness of the lobby come as more of a distraction than as a pleasure, but might that be due to the uncompromising design of metal and glass. Less like an international airport and more akin to the ground floor of an investment bank, I may have been better suited arriving for a conference than dressed very casually and carrying an over-night bag.Yet such an innocuous observation explained a great deal about the engine rooms of this glittering pandora’s box.Impressive squared footed conference spaces that can on occasion double as wedding venues are in the impressive underbelly of the hotel building, where those invited business delegates of international corporations come to entertain ideas and programme strategy for their companies. Such a grand central space is mirrored by smaller more intimate boardrooms for smaller sized meetings; in which tables run the length of the carpeted room. The corporate client is clearly the lynch-pin of such a centrally located hotel, and obviously the majority of delegates are encourages to morph overnight guests, as they engage in the array of work and leisure amenities in equal measure.

Executive bedroom

My room, an executive double, is initially impressive for its view, cornered up against Saint Paul’s Cathedral, it is almost impossible not to be impressed by the vast splendor of this gargantuan building that appears to have been rooted to its river location in history since time immemorial. The large heavy windows that complete the comfortable sized room give a temporary audience a prime location from which to adore Wren’s landmark building. When not frozen by the view, the interior of the room feels a little cluttered, either too much furniture adorns the room, or the geography of  the space is such that much less is physically possible; minimal is actually no bad thing.  The adjoining bathroom is a little small, the central light above the mirror flickering like a car’s rear indicator; and the shower head reaches out as far as the plug-hole directly below, which has you almost pinned upto the wall of the bathroom, as the warm peppered water spray falls down and not out. The executive doublefor all its furnishings is comfortable. Rich curtain colours fall from the windows, the heavy doors to the cupboards and bathroom retain a polished natural pattern that delineatesthe internally separated spaces; bathroom from bedroom, bedroom from clothes cupboard.  Centrally the twin bed can be likened to an armchair; reliably comfortable though a little tired, and the accompanying egg chairs appear stylish if a little redundant. There is a reassuring atmosphere to the room as the evening progresses and the view becomes one’s own.

Novello Restaurant

Supper is a choice between three amble sized restaurants, the Novello which is located at the base of the vast open atrium on the first floor, where analternative choice of table d’hôte and à la carte menus are both available. Novello appears warmly welcoming for a wedding party that is collectively dinning in the open plan glass house, as the evening is reassuringly animated by guests absorbing the pleasures of the hotel’s cuisine. Situated in another corner of the first floor is the Globe restaurant, a limited space in which many more tables and chairs are made available than guests attending. On the evening I attend it is entirely empty and such circumstances affect one’s choice of dinning room. Glancing over the menu, it appears proficient, international and charming.

Benihana Entrance

The void of one restaurant leads one to want to follow the nuances  of noise in an adjoining restaurant, the Benihana, which is a leading Japanese franchise, attached to the hotel, in which a more freely moving customer appears to come in and out, makes for a reassuring final choice of place to eat. A volume of people is evenly seated around the metal plated tables in the warm dining area, as waiters feverishly running the length of the restaurant, perspiring for their effort. High-hatted chiefs roll into eating rooms as they park up to a given table with a culinary trolley of finely cut poultry, meat, vegetables and plastic bottles sauces. Small spied fires break out at interspersed tables, as guests give a gutsy cheer to the flames rising from their table, and upon deciding of what to eat, each of the chief’s begins a rousing dance of aluminum containers that crash against the metal plates and pepper the air with a sharp hint of aromatic spies. Likened to performative cuisine, for want of a better word, the hum of restaurateurs is cajoled, even aroused by the chief come entertainer, who rather than rooted to a kitchen somewhere at the back of the restaurant is ordered out to a table of hungry diners, who upon ordering can begin eating an array of warm and wonderfully decorated appetizers, that are cushioned by a choice selection of rich and aromatic red and white wines. Upon the recommendation of the waiter, clasping his little black book, I order a French bottle of Domaine du Seuil Merlot Cabernet Sauvignon, Premiéres Côtes du Bordeaux, 2006-7; that swiftly arrives and is promptly opened before me for tasting. It is quite perfect, rich, full-bodied, and rounds my palette like a spoon of honey running and flooring the length of my throat. As the liquid candy that accompanies our meal, my wife selected a series of well-balanced appetizers and two prawn and fish supper main courses. A small dish of seaweed salad, crunchy prawn tempura, a fresh ginger salad, and a twin main course of hibachi prawn and hibachi miso black cod in a rich syrupy sauce are all efficiently cut, cooked and promptly served to us. The dishes are sharp, well seasoned, rich and nourishing, flavors complementing each other perfectly, as I take small morsels of each of the plates onto my chopsticks. Turning the vegetables and fish over in my month, I return to the red wine at every occasion, in order I can attempt to furnish my palette with as many of the distinctive tastes as is possible; and it works, I feel an incredible sense of contentment at my being at this table of well worked dishes. A gripe if any is possibly the cumbersome sized white onion slices might have been better red, and the chocolate cake dessert lookedpositively dry and uninteresting, which delivered an abrupt full-stop to the culinary experience; but for such minor misdemeanors it was otherwise a handsome food experience.

An opportunity for a small aperitif on the roof terrace proves impossible for a private function, and as I arrive for a seek preview the event appears to be drawing to a premature end, and the bar-staff usher me back towards the glass lift, which proves a little disappointing for the first Friday of the month. I am politely informed of a clubin the basement of the hotel. Currently up on the seventh floor without my room key, I recline the opportunity to renegotiate the entire glass building for an hour or more of throbbing bustle in a tightly confided space. Having eaten and drunk to great aplomb I retire to my room on the sixth floor, and seek another opportunity to look over the architectural façade of Saint Paul’s cathedral before I retire for the evening. For all of the animated action that occurs during the course of the evening at my hotel, there is an impossible calm that appears to resonate out from the reassuring facade of Sir Christopher Wren’s building. I lose myself in its charming awe and then turn to find my side of the bed.

Woken to the reassuring sound of heavy bells chiming at every hour from Saint Paul’s, I quickly realize I am not at home under the ailing duvet but somewhere else entirely. Returning to sleep I am once again woken by the bells turning over on the hour every hour, closer to the morning and further away from the night before. It bothers me little as I feel a sense of mild gratitude for my grievance, if it be that; and on a fourth round of the bells tolling I rise and turn for the bathroom, for a shower, and I recall the splendid supper I had the evening previously. The intimacy of the bathroom is a little less awkward this morning as I become more familiar with the idiosyncrasies of the hotel room layout as everything even becomes more homely.

My breakfast is continental, and arriving out onto the first floor from the glass elevator, it appears that the majority of guests are all present and correct for breakfast. Instructed that the continental breakfast circumnavigated around chiefs making eggs to order, we are then promptly informed ‘continental is everything but eggs ’, so I venture for a plate of tired pastries, a little toast and orange juice. My wife disapproves of regular coffee and orders a soya latte, that when it eventually arrives is tepid to the touch and tastes very much like a regular coffee with coloured froth. As much as supper the previous evening was a marked success, continental breakfast failed to deliver any kind of appeal or nourishment. Those piling into the full English breakfast appeared to be having more success, as the regular dishes appeared somewhat more appetizing. Possibly the introduction of an egg might have arouses my taste buds a little more.

Ajala Spa Reception

Arriving a little late for my massage, my wife and I are welcomed at the reception desk by the spa therapists, with the offer of drinks and the polite instruction to fill in our health conditions on a questionnaire styled clip-board. Once complete we are taken into a subdued room with a modern bath and two tables at which we lay face down encouraged to apply a towel over our midriffs before we begin. My face protruded from the doughnut shaped facial guard, I attempt to relax with a sense of anticipation of what was to follow. Initially my arms and legs are prodded and pulled and then rhythmically turned over, as the massager’s hands appear to fall deeper and deeper into my skin. During the massage there are definitely moments where I feel a sense of unmitigated bliss that turns to want of sleep, unfortunately the whole experience proves more conductive for my wife, as any bliss for me is interrupted by a need to tense up for all of the knots in my lower legs and back, and the tickling sensation that wants to overwhelm me at every opportunity. That said it proves another wonderful experience and such opinions are more personal than a real reflection of the value of the experience.

Inside the room the music proved more irritating than engaging, and I spent a great deal of my time considering how the atmospheric anthems ofSigar Rós or the Boards of Canada might have transformed those clichédundulating sounds into something more contemporary and engaging for a cosmopolitan guest list. Peeling myself off the toweled table looking for my t-shirt and gown in the resplendent light, my wife described the full body massage, as the best she had had for a long time, which is endorsement enough for any practice or product. Another success, I take my apple juice and we are invited to sit in the lounge area with tea and cake.

I root out today’s copy of the Financial Times and then we consider a very quick step into and out of the sauna. Walking through the men’s changing room, across from the well-equipped gym, and into the pool area, the layout down here appears charming and of an atmosphere that encourages one to truly indulge in idle relaxation. The pool is warm to the touch and the sauna is heightened for my having had a deep skinned massage. The warmth of the enclosed room turns those knots in my lower calf muscles into congealed syrupy and I glee a mischievous smile. Our having to return to our room to pack can only be described as mildly annoying, because I am becoming more and more attached to the hotel and its efficient atmosphere. The view from my room is enduring, the amenities comfortable, the cuisine consisted of many positives; so turning the hotel literature over a final time, I consider that in spite of the hotel’s heavy slant on their corporate clients, as a day tripper I convince myself that I wish for more of the same.

Rajesh Punj

 

Posted in Travel & Deal On Wheels